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I have a post card of a young girl from the 19th century. I saw the original photograph at the National Portrait Gallery in London and just fell in love with it. It's been pinned to a wall for years. Here she is on the right. The photo would of been taken with a plate camera. It is of Adelaide Passingham by Evelyn Myers and is a sepia platinotype. The quality of these old black and white pictures is unbelievable. Nothing colour wise can ever match up to them. Not even today. There are two reasons, firstly the range of tones in the print are richer as platinum is used rather than silver, the second is biological. Light receptor cells in the human eye are outnumbered phenomenally by those which see black and white. It's thought platinum pictures of this type can last thousands of years. So Adelaide will be around a lot longer than most of us. These pictures show how colour is really no more than a second thought no matter the general belief. This was taken in 1889, so Adelaidie, it would of been nice had the photographer asked Adelaide to open her eyes, head tilted and glance toward the camera. The down caste head posture although enticing gives Adelaide a simultaneous sultry and downtrodden appearance. I wonder if her hair was full of mites, it's a tangled mess and no self respecting woman nowadays would allow her hair to look like this. Adelaide, is relatively clean looking but at this turn of the century who can say. Historically, working class people washing and their personal hygiene may have been in doubt. There will be few pictures of this type ever done again. Simply because of the cost. Platinum was cheap when the Platinotype Company first produced the paper, but over a period of twenty odd years, the price increased 52 times. So it was abandoned and other cheaper chemical methods used such as the palladiotype. Whatever, this picture is certainly going to be around for a long time.
I do like the photo, even by today's standards it his a high quality image. I also bet Adelaide never got fat as obesity was a rarity in them olden days.
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